- Total Size: 2.01. GB (ISO) + 887 MB (FLAC) 3% RAR Recovery Label: Verve Records USA Cat#: B000127-06 IN02 Genre: Vocal Jazz. This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day.
- Personnel: Sarah Vaughan (vocals), Clifford Brown (trumpet), Paul Quinichette (tenor saxophone), Herbie Mann (flute), Jimmy Jones (piano), Joe Benjamin (bass), Roy Haynes (drums) Start With: April in Paris Why You Need This Album: On Sarah’s singing alone, this stands as one of the most remarkable albums of jazz. Add in an all-star ensemble.
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New to jazz and not sure where to start? With many artists and extensive catalogues of music, a new jazz listener can feel intimidated. We're here to help! Check out our list of 10 albums to get you started on your jazz journey and introduce you to some of jazz's great artists.
Musicalala Discography Sarah Vaughan. Sarah Vaughan Collection LOSSLESS + MP3. Info for The Magic of Sarah Vaughan (Remastered) Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald. Torrent Download Torrent Sarah Vaughan Complete Recordings With Clifford Brown.
1. Time Out
Artist: Dave Brubeck | Release Year: 1959
Personnel: Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)
Start With: Take Five
Why You Need This Album: Take Five is a singular and thrilling mix of the familiar and the unexpected. What has kept this album in the limelight and in listeners’ hearts for so many years is the unending sense of effortless swing, the magnificently catchy melodies, and the beautifully choreographed dance between four luminaries of music.
Purchase:Amazon | iTunes
2. Blue Train
Artist: John Coltrane | Release Year: 1957
Personnel: John Coltrane (tenor saxophone), Lee Morgan (trumpet), Curtis Fuller (trombone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)
Start With: Locomotion
Why You Need This Album: Blue Train features a younger Coltrane playing beautifully on some highly memorable pieces in outstanding company. From the title track’s somber mood giving way to a bluesy swing, to Moment’s Notice’s peppy start-and-stop melody, to Lazy Bird’s bop workout, Blue Train is a delight from start to finish.
Purchase:Amazon | iTunes
3. The Sidewinder
Artist: Lee Morgan | Release Year: 1963
Personnel: Lee Morgan (trumpet), Joe Henderson (tenor saxophone), Barry Harris (piano), Bob Cranshaw (double bass), Billy Higgins (drums)
Start With: Totem Pole
Why You Need This Album: The burgeoning soul jazz scene found one of its standard-bearers in Lee Morgan. Taking a page from the boogaloo playbook, the piece Sidewinder may stand as one of the funkiest hard bop tunes set to record. Just try to stop yourself from dancing to this masterpiece. A crowd-pleaser, the album’s secret weapon lies in its heavy-hitting A-team of a band that keeps you grooving even as they get into some deep musical territory.
Purchase:Amazon | iTunes
4. The Turnaround
Artist: Hank Mobley | Release Date: 1965
Personnel: Hank Mobley (tenor saxophone), Donald Byrd (trumpet), Herbie Hancock (piano), Butch Warren (bass), Philly Joe Jones (drums), Freddie Hubbard (trumpet), Barry Harris (piano), Paul Chambers (bass), Billy Higgins (drums)
Start With: East of the Village
Why You Need This Album: Hear the full range of Hank Mobley’s greatness: from his beautifully supple tenor saxophone tone, to his earthy bluesy wails, the range of his expressive capabilities make it onto this beautiful album. Recorded over several years and multiple sessions, this album also gives you a veritable who’s-who of great Jazz figures of the mid-1960s.
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5. Ella & Louis
Artist: Ella Fitzgerald and Louis Armstrong | Release Year: 1956
Personnel: Louis Armstrong (vocals, trumpet), Ella Fitzgerald (vocals), Ray Brown (bass), Herb Ellis (guitar), Oscar Peterson (piano), Buddy Rich (drums)
Start With: Isn’t This a Lovely Day
Why You Need This Album: Take two of the greatest artists that music has ever known, pair them with a rhythm section of masters, and give them beloved standard fare from the songbook they helped to define and you’ve got one of the most magical albums of jazz. Relaxed, effortless, beautiful, swinging, and fun, this album will charm even the most resistant of listeners.
Purchase:Amazon | iTunes
6. Moanin’
Artist: Art Blakey | Release Year: 1959
Personnel: Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)
Start With: Blues March
Why You Need This Album: Gospel, blues, hard bop, and swing congeal in this masterpiece of an album, and at its core is the relentless propulsion machine that is Blakey’s drumming. Endlessly swinging and churning along with Blakey’s inimitable shuffle, this album is a testament to Art’s oft-quoted line, “Jazz washes away the dust of everyday life.”
Purchase:Amazon | iTunes
7. Everybody Digs Bill Evans
Artist: Bill Evans | Release Year: 1959
Personnel: Bill Evans (piano), Sam Jones (bass), Philly Joe Jones (drums)
Start With: Night and Day
Why You Need This Album: After listening to this album, you’ll find yourself agreeing with its title. Gorgeously meditative, though often quite sprightly in its swing, Everybody Digs Bill Evans captures the essence of this remarkable artist and showcases the beautiful pearly sound he could draw out of the keyboard.
Purchase:Amazon | iTunes
8. Ellington Indigos
Artist: Duke Ellington | Release Year: 1958
Personnel: Duke Ellington (piano), Jimmy Woode (bass), Sam Woodyard (drums), Paul Gonsalves (tenor saxophone), Jimmy Hamilton, Russell Procope (clarinet, alto saxophone), Harry Carney (baritone saxophone), Johnny Hodges, Rick Henderson (alto saxophone), John Sanders (bass trombone), Quentin Jackson, Britt Woodman (trombone), Cat Anderson, Shorty Baker, Willie Cook, Clark Terry (trumpet), Ray Nance (trumpet, violin), Ozzie Bailey (vocal)
Start With: Mood Indigo
Why You Need This Album: A subtle, gorgeous big band album that presents the remarkable range and capabilities of the Ellington band, this serves as a beautiful introduction to this ensemble. Keep an ear open for the lush, vocal qualities of Johnny Hodges’ alto saxophone as well as the majestic sound of Harry Carney’s baritone saxophone solo.
Purchase:Amazon | iTunes
9. Be Good
Artist: Gregory Porter | Release Year: 2012
Personnel: Gregory Porter (vocals), Chip Crawford (piano), Emanuel Harrold (drums), Keyon Harrold (trumpet), Aaron James (bass), Kamau Kenyatta (horns), Tivon Pennicott (saxophone), Yosuke Sato (saxophone)
Start With: Be Good
Why You Need This Album: Gregory Porter wields a beautiful, supple baritone voice, sports a deep knowledge of the Jazz tradition, shows an abiding love of R&B, and has a sense of adventure that drives him to explore new projects and write new music. On Be Good, he struck a perfect balance that will surprise and delight you at every turn.
Purchase:Amazon | iTunes
10. Sarah Vaughan with Clifford Brown
Artist: Sarah Vaughan | Release Year: 1954
Personnel: Sarah Vaughan (vocals), Clifford Brown (trumpet), Paul Quinichette (tenor saxophone), Herbie Mann (flute), Jimmy Jones (piano), Joe Benjamin (bass), Roy Haynes (drums)
Start With: April in Paris
Why You Need This Album: On Sarah’s singing alone, this stands as one of the most remarkable albums of jazz. Add in an all-star ensemble, and in particular the master trumpeter Clifford Brown, and you have a legendary album. Incredible ensemble work, beautiful standards, and an intuitive interplay between vocalist and horns make this a record that grabs you on the first listen and keeps you enthralled through hundreds more.
Purchase:Amazon | iTunes
- 3-07-2020, 07:59
- 2020 | Jazz | Vocal Jazz | FLAC / APE
Title: Golden Star Collection
Year Of Release: 2020
Label: Sarahlicious Music Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 4:45:53
Total Size: 1.57 GB
WebSite: Album Preview
01. Tenderly
02. Lullaby of Birdland
03. Interlude
04. What More Can a Women Do
05. Mean to Me
06. S Wonderful
07. I'd Rather Have a Memory Than a Dream
08. Singing Off
09. Embraceable You
10. It's Magic
11. April in Paris
12. I'll Never Smile Again
13. He's My Guy
14. Jim
15. You're Not the Kind
16. I'm Glad There Is You
17. East of the Sun (And West of the Moon)
18. Why Can't I
19. It's Crazy
20. Over the Rainbow
21. Soon
22. Cherokee
23. Don't Be on the Outside
24. How High the Moon
25. It Shouldn't Happen to a Dream
26. September Song
27. Maybe
28. Oh My
29. If I Knew Then (What I Konw Now)
30. Bidin' My Time
31. Sometimes I'm Happy
32. Words Can Describe
33. No Smoke Blues
34. The Touch of Your Lips
35. Lover Man (Oh, Where Can You Be)
36. I Cried For You
37. All of Me
38. The Man I Love
39. Prelude to a Kiss
40. Shulie a Bop
41. Pennies from Heaven
42. Body and Soul
43. How Long Has This Been Going On
44. They Can't Take That Away From Me
45. An Occasional Man
46. Linger Awhile
47. Polka Dots and Moonbeams
48. My Man's Gone Now
49. You Hit the Spot
50. Someone to Watch Over Me
51. I'll Build a Stairway to Paradise
52. Aren't You Kind of Glad We Did
53. He Loves and She Loves
54. Of Thee I Sing
55. Isn't It a Pity
56. My One and Only
57. A Foggy Day
58. Love Walked In
59. They All Laughed
60. Looking For a Boy
61. Easter Parade
62. Let's Call the Whole Thing Off
63. I've Got a Crush on You
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64. Things Are Looking Up
65. Alexander's Ragtime Band
66. Cheek to Cheek
67. If You Are but a Dream
68. Lorelei
69. Isn't This a Lovely Day
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70. Out of This World
71. I've Got My Love to Keep Me Warm
72. All of My Life
73. You're Just in Love
74. Remember
75. Always
76. Do It Again
77. I Won't Say I Will
78. There's No You
79. Now It Can Be Told
80. Say It Isn't So
81. Missing You
82. I've Got to Talk to My Heart
83. I'll Never Be the Same
84. I Should Care
85. Maybe You'll Be There
86. Last Night When We Were Young
87. Funny
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88. The Girl That I Marry
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89. Close to You
Vaughan sang in church as a child and had extensive piano lessons from 1931-39; she developed into a capable keyboardist. After she won an amateur contest at the Apollo Theater, she was hired for the Earl Hines big band as a singer and second vocalist. Unfortunately, the musicians' recording strike kept her off record during this period (1943-44). When lifelong friend Billy Eckstine broke away to form his own orchestra, Vaughan joined him, making her recording debut. She loved being with Eckstine's orchestra, where she became influenced by a couple of his sidemen, Charlie Parker and Dizzy Gillespie, both of whom had also been with Hines during her stint. Vaughan was one of the first singers to fully incorporate bop phrasing in her singing, and to have the vocal chops to pull it off on the level of a Parker and Gillespie.
Other than a few months with John Kirby from 1945-46, Sarah Vaughan spent the remainder of her career as a solo star. Although she looked a bit awkward in 1945 (her first husband George Treadwell would greatly assist her with her appearance), there was no denying her incredible voice. She made several early sessions for Continental: a December 31, 1944 date highlighted by her vocal version of 'A Night in Tunisia,' which was called 'Interlude,' and a May 25, 1945 session for that label that had Gillespie and Parker as sidemen. However, it was her 1946-48 selections for Musicraft (which included 'If You Could See Me Now,' 'Tenderly' and 'It's Magic') that found her rapidly gaining maturity and adding bop-oriented phrasing to popular songs. Signed to Columbia where she recorded during 1949-53, 'Sassy' continued to build on her popularity. Although some of those sessions were quite commercial, eight classic selections cut with Jimmy Jones' band during May 18-19, 1950 (an octet including Miles Davis) showed that she could sing jazz with the best.
Sarah VaughanDuring the 1950s, Vaughan recorded middle-of-the-road pop material with orchestras for Mercury, and jazz dates (including Sarah Vaughan, a memorable collaboration with Clifford Brown) for the label's subsidiary, EmArcy. Later record label associations included Roulette (1960-64), back with Mercury (1963-67), and after a surprising four years off records, Mainstream (1971-74). Through the years, Vaughan's voice deepened a bit, but never lost its power, flexibility or range. She was a masterful scat singer and was able to out-swing nearly everyone (except for Ella). Vaughan was with Norman Granz's Pablo label from 1977-82, and only during her last few years did her recording career falter a bit, with only two forgettable efforts after 1982. However, up until near the end, Vaughan remained a world traveler, singing and partying into all hours of the night with her miraculous voice staying in prime form. The majority of her recordings are currently available, including complete sets of the Mercury/Emarcy years, and Sarah Vaughan is as famous today as she was during her most active years. ~ Scott Yanow
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